We need our own memory to appreciate music at all. We like hearing repeated patterns. That’s just what long delays with feedback do. This uses another complicated control patch that … Read More

I’ll be playing at a local event, The Cesspool of Synths, on July 4th. The patch I’ll be using is pictured above, which uses my Ieaskul F. Mobenthey rack together … Read More

I wanted to combine two of my recent modules, the Oakley Sound Discontinuity and the Erica Synths Black Stereo Delay. They are in there! The full patch audio starts out … Read More

I ran across the following comment by Muffwiggler member autopoiesis. I suspected that a self-oscillating Mimeophon would take especially well to stacking another feedback path into it with a frequency … Read More

When patching the MOTM lately, I seem to go to the Blacet Binary Zone. Combined with the Modcan Quantizer it can quickly make a scaled sequence of up to 64 … Read More

Synthesis Technology E950 speaking through delays. Plus some Braids Kick Drum. Dave Smith Feedback in the feedback loop of the Sputnik Four-Tap Delay.

One sound is gated into the left input of both the Mimeophon and the Microcell. Microcell is in Parasites Looping Delay mode. A slow LFO controls a stereo fade between … Read More

These lush recordings were made with an automatic music patch that is partly driven by the rate output trigger pulse of the Mimeophon.

The Make Noise soundhack Mimeophon arrived! This is a first take, with a simple patch. A VCO is stepped with random voltage, while the sine wave is passed through the … Read More

Mutable Instruments Braids Model /|/|_|_|_ generates a sawtooth waveform, and sends it into a comb filter (tuned delay line). The frequency of the delay line tracks the frequency of the … Read More