We need our own memory to appreciate music at all. We like hearing repeated patterns. That’s just what long delays with feedback do.

This uses another complicated control patch that combines LFOs, Sample & Holds, and also comparators. The audio part is just two oscillators, one of which is sometimes through-zero modulated by the other. I offer four recordings. The first two were made with a variant of the control patch. The first two also mix both oscillators into the Tiptop Audio Echoz. The third and fourth split the two signals, one to Mimeophon and the other to Black Stereo Delay. The third one is controlling the Hold inputs on both modules; the fourth isn’t. These are longer and I feel more meditative.