Automatic Music June 21, 2018
My work process often involves visualizing and then drawing out a patch diagram for complex control with feedback. The patch shown uses all of the modules from the patch of … Read More
My work process often involves visualizing and then drawing out a patch diagram for complex control with feedback. The patch shown uses all of the modules from the patch of … Read More
The control portion of this patch uses Stages as six sample and holds, Just Friends in Cycle/Shape mode, Four Tromsø, and Ultra Random Analog. The audio portion is Loquelic Iteritas … Read More
I thought these two would play well together.
This module is an effect. But I didn’t misspell the title of the post. I did mean affect, as the conscious aspect of an emotion. In automatic music the machines … Read More
An attempt at beats. <smiley face> Pithoprakta is pictured because it is used to generate the pulses to drive this, all from a fixed clock. Odd clock divisions are applied. … Read More
Shown above is part of the patch used to create these compositions. The Quantussy section of Cocoquantus is patched to Eurorack modules: Fourses and the L-1 Stereo VC Mixer. It’s … Read More
Today’s patch: Fourses is bounds modulated by Cocoquantus. The five Castle outputs are distributed into the eight bounds inputs of Fourses. Four of the quantussy triangles are controlling the levels … Read More
Motion is clocked by Denum, which is changed randomly by Dunst. Post processing through Uhbik Runciter filter in Audio Mulch.
Here’s my recently reconfigured “Big Euro Box”, designed for automatic music. The patch uses a bunch of stuff for control, including three Tromso, the Klavis Logica Gater and Pithoprakta. Fourses … Read More