Why Cheese? It’s the Wedge. While reading about Scutoids, I began thinking about three-dimensional representations for interconnecting Quantussy Cells. I sketched a few on a notepad. The cube is an … Read More

Four analog and four digital oscillators are tuned to fixed pitches. These eight sounds are cross-faded in pairs to four signals, using the ADDAC805.VS2 for two, and both Starling VIA … Read More

A long time ago, in software that used to work on MacOS, I had fun playing around with Uhbik, from u-he. That software was Audio Mulch, which could run the … Read More

A.K.A Apes and Aliens

I ran across the following comment by Muffwiggler member autopoiesis. I suspected that a self-oscillating Mimeophon would take especially well to stacking another feedback path into it with a frequency … Read More

Seven Quantussy cells control four voices. This is a more complex patch that uses seven Quantussy cells, each with an LFO and two sample and holds. See from the photo … Read More

First patch with The Bends from Warm Star. The Bends provides six possible mixes among four signals, from DC to audio. This patch uses two Mini Slews and two Tilts … Read More

A simple patch, using Mutable Instruments Stages with Joe Seggiola’s multi-mode firmware, in the harmonic oscillator mode. It goes through an EG/VCA (Streams) into Make Noise Mimeophon, which is getting … Read More

When patching the MOTM lately, I seem to go to the Blacet Binary Zone. Combined with the Modcan Quantizer it can quickly make a scaled sequence of up to 64 … Read More

A variant of the Krell patch, a type of self-running patch that uses a hierarchical structure without feedback loops in the control section, but possibly deep levels of control. A … Read More