I ran across the following comment by Muffwiggler member autopoiesis. I suspected that a self-oscillating Mimeophon would take especially well to stacking another feedback path into it with a frequency … Read More

Seven Quantussy cells control four voices. This is a more complex patch that uses seven Quantussy cells, each with an LFO and two sample and holds. See from the photo … Read More

First patch with The Bends from Warm Star. The Bends provides six possible mixes among four signals, from DC to audio. This patch uses two Mini Slews and two Tilts … Read More

A simple patch, using Mutable Instruments Stages with Joe Seggiola’s multi-mode firmware, in the harmonic oscillator mode. It goes through an EG/VCA (Streams) into Make Noise Mimeophon, which is getting … Read More

When patching the MOTM lately, I seem to go to the Blacet Binary Zone. Combined with the Modcan Quantizer it can quickly make a scaled sequence of up to 64 … Read More

A variant of the Krell patch, a type of self-running patch that uses a hierarchical structure without feedback loops in the control section, but possibly deep levels of control. A … Read More

The video sound was recorded off the mixing board, via USB to the camera. It is the first time I’ve tried this method. This patch is called Twelve Slopes, because … Read More

Patched on the MOTM format modular, this was made using two sequencers: the Encore UEG and the Blacet Binary Zone, each passed through the Modcan Dual Quantizer. There’s a drony … Read More

Synthesis Technology E950 speaking through delays. Plus some Braids Kick Drum. Dave Smith Feedback in the feedback loop of the Sputnik Four-Tap Delay.

One sound is gated into the left input of both the Mimeophon and the Microcell. Microcell is in Parasites Looping Delay mode. A slow LFO controls a stereo fade between … Read More