This module is an effect.  But I didn’t misspell the title of the post.  I did mean affect, as the conscious aspect of an emotion. In automatic music the machines … Read More

Shown above is part of the patch used to create these compositions.  The Quantussy section of Cocoquantus is patched to Eurorack modules: Fourses and the L-1 Stereo VC Mixer.  It’s … Read More

Today’s patch:  Fourses is bounds modulated by Cocoquantus.  The five Castle outputs are distributed into the eight bounds inputs of Fourses.  Four of the quantussy triangles are controlling the levels … Read More

Motion is clocked by Denum, which is changed randomly by Dunst.  Post processing through Uhbik Runciter filter in Audio Mulch.

The patch for the previous post uses my Big Euro Box.  There are two parts:  the control patch and the audio patch.  Pardon the poor sketches. Control Patch The control … Read More

Here’s my recently reconfigured “Big Euro Box”, designed for automatic music.  The patch uses a bunch of stuff for control, including three Tromso, the Klavis Logica Gater and Pithoprakta.  Fourses … Read More

I’ve become disaffected by the way the word ‘synthesizer’ is used in connection with electronic music. The First Synthesizer It was the RCA Mark I. Please read the article linked … Read More

See this discussion thread on MW.  A user posted an idea called a Q-Relative cell, by which he meant relative to a Quantussy cell.  While it is not a Quantussy … Read More

Automatic music created by a free-running patch, controlled by a seven cycle quantussy ring.  Loquelic Iteritas and Fourses oscillators are heard through Warps.  These three segments followed each other without … Read More

This diagram shows a generic quantussy cell, as I call it. See What Is The Quantussy for more information. It’s the name of the five oscillator cluster in Peter Blasser’s … Read More