Here’s a little composition that uses live input from my MOTM processed through Audio Mulch and Lexicon MPX-1 Delays. I mixed this in real time. It starts with raw, unprocessed MOTM, which consists of a random quantized tone generator of two MOTM-300 VCOs through one half of a MOTM-480 filter. Then I bring up the simple echo delay from the MPX-1. After that gets going I use a cross fader inside Audio Mulch to mix in a software delay. About half way through I change the FREQ pot on the MOTM-480 a little. At the end first the software and then the hardware delays are faded out, in reverse of the beginning. It’s simple but interesting. I am excited about Audio Mulch allowing me to produce better compositions. If I take more time than I did for this recording, it’ll be better. But this is cool.
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