One sound is gated into the left input of both the Mimeophon and the Microcell. Microcell is in Parasites Looping Delay mode. A slow LFO controls a stereo fade between … Read More

This patch uses the Mimeophon as a sound generator. Input comes from an envelope generator. Various random control voltages modify parameters of Mimeophon.

These lush recordings were made with an automatic music patch that is partly driven by the rate output trigger pulse of the Mimeophon.

The Make Noise soundhack Mimeophon arrived! This is a first take, with a simple patch. A VCO is stepped with random voltage, while the sine wave is passed through the … Read More

I came up with another extended Quantussy Cell. The diagram is below. There are three LFOs, each triggering three Sample & Holds, with their ramped outputs being sampled and then … Read More

Something possessed me to get another small skiff. It’s a 4ms Pod 64, the largest of the 4ms Pod series. I chose it in part for the 55mm depth. This … Read More

I’ve been thinking about how to use controllable switches for automatic music. Being out of room in the ‘automatic music box’, I put together a 4ms RCD, the Pithoprakta, and … Read More

A Quartussy is a set of four ‘quantussy cells’. Each cell is a VCO with a triangle wave and a pulse wave output, with the pulse wave driving the trigger … Read More

An automatic music patch incorporating the Vult Freak filter in Debriatus – Wave Destructor mode: Distortion -> Wave Folding -> Saturation. The new River Marble module is used to add … Read More

Back to some automatic music! I’ve added the Freak Manifold Filter from Vult. Here, the Freak is in Resonant Comb Filter mode. This patch includes six Quantussy Cells, each enhanced … Read More