Searching for interesting timbres today, I came up with a simple patch using four modules: Cynthia Webster’s ZerOscillator, the dual MOTM-480 Resonant Filters, one sinewave LFO from a MOTM-380, and an off-center ramp wave from a MOTM-320R LFO. The audio path: ZO Triangle output to 480 #1 input, 480 #1 Bandpass output to 480 #2 input, and then 480 #3 Bandpass and Lowpass outputs to the mixer. The MOTM-380 LFO Sine A is set to max rate and patched into the ZO Linear FM input. The MOTM-320R Saw+ output goes to the FM inputs of both 480’s. The LFO rates remained constant during the recording. I performed an improvisation on the ZO Linear FM input level, plus the Frequency, Resonance (Q), and FM inputs of both 480 filters. No digital post-processing effects were used. It is the sort of patch that lends itself to a live performance.
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