Quantisise Cheese
Why Cheese? It’s the Wedge. While reading about Scutoids, I began thinking about three-dimensional representations for interconnecting Quantussy Cells. I sketched a few on a notepad. The cube is an … Read More
Why Cheese? It’s the Wedge. While reading about Scutoids, I began thinking about three-dimensional representations for interconnecting Quantussy Cells. I sketched a few on a notepad. The cube is an … Read More
Four analog and four digital oscillators are tuned to fixed pitches. These eight sounds are cross-faded in pairs to four signals, using the ADDAC805.VS2 for two, and both Starling VIA … Read More
A long time ago, in software that used to work on MacOS, I had fun playing around with Uhbik, from u-he. That software was Audio Mulch, which could run the … Read More
A.K.A Apes and Aliens
I ran across the following comment by Muffwiggler member autopoiesis. I suspected that a self-oscillating Mimeophon would take especially well to stacking another feedback path into it with a frequency … Read More
Seven Quantussy cells control four voices. This is a more complex patch that uses seven Quantussy cells, each with an LFO and two sample and holds. See from the photo … Read More
A simple patch, using Mutable Instruments Stages with Joe Seggiola’s multi-mode firmware, in the harmonic oscillator mode. It goes through an EG/VCA (Streams) into Make Noise Mimeophon, which is getting … Read More
When patching the MOTM lately, I seem to go to the Blacet Binary Zone. Combined with the Modcan Quantizer it can quickly make a scaled sequence of up to 64 … Read More
Pod 64 is the largest of a series of neat little cases from 4ms. I decided to use it for a collection of modulation modules that can be patched as … Read More