Richard Brewster's Electronic Sounds

  The photo shows the Big Drone patch at one point. Four different voices were mixed in real time during the recording. I touched the keyboard once in the middle … Read More

Demonstrates some of the variety of sounds the StonZ can make. The input comes from a Blacet Miniwave (PPG1 ROM), with the Bank and Wave selections being voltage controlled. The … Read More

Here are three examples demonstrating what can be done with just the following MOTM modules. 300 VCO 440 VCF 101 Noise / Sample and Hold 190 Dual VCA 390 Dual … Read More

An aleatoric drone. This uses some newer modules. The Cynthia ZerOscillator with linear through-zero FM, modulated by a MOTM-300 VCO, provides the pitch source in this patch. Passed through a … Read More

Two groups of three VCOs each are driven by control voltages originating in the CGS Infinite Melody, quantized by two Blacet Miniwaves and analog shifted by two CGS ASRs. Each … Read More

This is a slightly different version of my entry to the “Singing Robots” aleatoric contest, winter 2005. It is a totally aleatoric piece with no-hands-on during the recording.

I really like this little excerpt from a long-running patch. The idea is to take a random melody created by some sample and hold sequence. This result is passed through … Read More

I love the sound of the 490. It is so classic. This demo features my two 490s playing a random melody.

The Steiner has a distinctive sound. Here is a demo of my dual Synthacon filters.

This is different from my usual style. I hand-mixed two different live patches. There is a frenetic sample and hold melody, backed by a bass drone courtesy of the MOTM-310 … Read More