Richard Brewster's Electronic Sounds

When patching the MOTM lately, I seem to go to the Blacet Binary Zone. Combined with the Modcan Quantizer it can quickly make a scaled sequence of up to 64 … Read More

Pod 64 is the largest of a series of neat little cases from 4ms. I decided to use it for a collection of modulation modules that can be patched as … Read More

A variant of the Krell patch, a type of self-running patch that uses a hierarchical structure without feedback loops in the control section, but possibly deep levels of control. A … Read More

The video sound was recorded off the mixing board, via USB to the camera. It is the first time I’ve tried this method. This patch is called Twelve Slopes, because … Read More

I built this Rampage from a kit. Notice the red and black Befaco jack nuts. The kit included a special tool for them, but I have a better one. One … Read More

Patched on the MOTM format modular, this was made using two sequencers: the Encore UEG and the Blacet Binary Zone, each passed through the Modcan Dual Quantizer. There’s a drony … Read More

Synthesis Technology E950 speaking through delays. Plus some Braids Kick Drum. Dave Smith Feedback in the feedback loop of the Sputnik Four-Tap Delay.

One sound is gated into the left input of both the Mimeophon and the Microcell. Microcell is in Parasites Looping Delay mode. A slow LFO controls a stereo fade between … Read More

This patch uses the Mimeophon as a sound generator. Input comes from an envelope generator. Various random control voltages modify parameters of Mimeophon.

These lush recordings were made with an automatic music patch that is partly driven by the rate output trigger pulse of the Mimeophon.