Richard Brewster's Electronic Sounds

The video sound was recorded off the mixing board, via USB to the camera. It is the first time I’ve tried this method. This patch is called Twelve Slopes, because … Read More

I built this Rampage from a kit. Notice the red and black Befaco jack nuts. The kit included a special tool for them, but I have a better one. One … Read More

Patched on the MOTM format modular, this was made using two sequencers: the Encore UEG and the Blacet Binary Zone, each passed through the Modcan Dual Quantizer. There’s a drony … Read More

Synthesis Technology E950 speaking through delays. Plus some Braids Kick Drum. Dave Smith Feedback in the feedback loop of the Sputnik Four-Tap Delay.

One sound is gated into the left input of both the Mimeophon and the Microcell. Microcell is in Parasites Looping Delay mode. A slow LFO controls a stereo fade between … Read More

This patch uses the Mimeophon as a sound generator. Input comes from an envelope generator. Various random control voltages modify parameters of Mimeophon.

These lush recordings were made with an automatic music patch that is partly driven by the rate output trigger pulse of the Mimeophon.

The Make Noise soundhack Mimeophon arrived! This is a first take, with a simple patch. A VCO is stepped with random voltage, while the sine wave is passed through the … Read More

I came up with another extended Quantussy Cell. The diagram is below. There are three LFOs, each triggering three Sample & Holds, with their ramped outputs being sampled and then … Read More

Something possessed me to get another small skiff. It’s a 4ms Pod 64, the largest of the 4ms Pod series. I chose it in part for the 55mm depth. This … Read More