I reworked the previous patch, replacing the VCAs with VCFs. The envelope generators got a voltage control to correlate the fall time with the rate of the incoming trigger pulses, which are also changing the pitch or other parameter on the associated oscillator.
The two dual filters used are the Thonk Synth Double Bubble, and the Mehr Music Machined Deuxd.
This time, instead of scanning the five voices with a slow, chaotic CV back and forth across the five, I use a sample and hold on an LFO, so as to pick at random which voices would be selected.
After tuning the dry patch, I spent quite a bit of time trying out different effects. So here are some of those trial recordings. Remember that the descriptions are below each recording.
Just Delay
Data Bender plus another effect
Data Bender plus Chronoblob 2 plus White Rabbit Reverb, but synchronized to LFO
This one, above, takes a pulse wave from the LFO that is doing the random scan and uses it to sync both the Data Bender and the Chronoblob.
