Here’s a little composition that uses live input from my MOTM processed through Audio Mulch and Lexicon MPX-1 Delays.  I mixed this in real time.  It starts with raw, unprocessed … Read More

I’ve given into the dark side and my new light sabre is Audio Mulch.  I’ve been trying out all the basic demo patches.  One of them is called RissetPan.  It … Read More

Am I being drawn to the dark side?  Using a computer for audio processing!  The Apple Macbook Pro combined with the Konnekt6 firewire interface opens up a lot of audio … Read More

Yesterday I spent several hours relocating modules in five cabinets.  Planning for anticipated new modules (a couple of CGS Serge VCS, a MOTM-520), I gathered all the VCOs into a … Read More

I got the idea from a thread on Muff Wiggler’s to send a sine wave through a Miniwave.  But more, to put an envelope on the sine wave going in.  … Read More

In this version of the patch, both the Lowpass and Bandpass outputs of the MOTM-480 are brought to the final mix. Both 480 sections are frequency modulated by the Smooth … Read More

Trying to break out of mental stereotypes for patching, I’m delving more into feedback.  I discovered this interesting combination.  Teezer VCO Triangle out -> Oakley ADSR/VCA -> MOTM 480 In(1A); … Read More

Recently I discovered and bought The Noise Generator Cookbook by Thomas Henry, available at Lulu.com.  I recommend it!  Includes a great bibliography, too.  In addition to learning what white and … Read More

This was a patch to play around with the new Resonant Lopass Gates modules.  Two CGS VCOs are each run through a Blacet Miniwave using waveforms from the Grant Richter … Read More

A meditation on two tones combined with different modulations.  The tones are heard separately, mixed additively, ring modulated, linear frequency modulated, and linear through-zero frequency modulated.  A MOTM-300 VCO provides … Read More