Exploring the solfeggio frequencies with part of the patch used for the 528 Hz Drone, I came up with one that combines 852 Hz with 285 Hz, plus 852/12 = … Read More

I was looking back at my West Coast Box project and wanted to try an update using modules I’ve built recently.  This uses both J. Haible Trapezoid VCAs, the ZerOscillator, … Read More

A demonstration of running audio through a sample and hold.  The input to the Oakley S&H comes from a little bell patch.  (The Limit control is set to zero, since … Read More

A short demonstration of putting a VCA on the input to the CGS Wave Multiplier.  The triangle wave from a MOTM-300 VCO is patched through a J. Haible Trapezoid VCA … Read More

I ran across some stuff on the internet about 528 Hz and other solfeggio tones.  Is it just New Age mumbo-jumbo? Who knows?  I made a patch using one MOTM-300 … Read More

A study in patches suitable for live performance, using the CGS Super Psycho LFO, Fritz Teezer VCO, Synthesis Technology Morphing Terrarium VCO, two CGS Serge VCS, two Flight of Harmony … Read More

I spent a little more time evaluating Noatikl.  For this piece I added a pair of MOTM-440 lowpass filters, each with an envelope from a MOTM-800 envelope generator.  So we … Read More

This patch demonstrates the use of the Synthesis Technology Morphing Terrarium VCO (MT) as a complex LFO. The MT is set to the lowest range and adjusted manually.  Its XY … Read More

Here is a second Noatikl piece that uses the same patch as described in the previous post.  This one adds post-MOTM echos from the Lexicon MPX-1.  It also uses different … Read More

I’ve been threatening to sell my MIDI gear, including the MOTM-650 4-channel MIDI converter.  Recently, while browsing and searching for stuff related to Brian Eno, I ran across an interview … Read More