{"id":7716,"date":"2025-12-16T16:08:07","date_gmt":"2025-12-16T21:08:07","guid":{"rendered":"https:\/\/pugix.com\/synth\/?p=7716"},"modified":"2025-12-16T16:08:09","modified_gmt":"2025-12-16T21:08:09","slug":"midside-with-a-twist","status":"publish","type":"post","link":"https:\/\/pugix.com\/synth\/midside-with-a-twist\/","title":{"rendered":"Midside with a twist"},"content":{"rendered":"\n
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The effects part of the patch<\/figcaption><\/figure>\n\n\n\n

Experimenting with WORNG Electronics MidSide<\/a>+. This patch start with a complex monaural sound that gets spread into a glorious stereo by the Holocent Nonlinear Memory Machine<\/a> (NLMM). A good stereo input is needed for mid-side processing.<\/p>\n\n\n\n

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This is the source audio patch<\/figcaption><\/figure>\n\n\n\n

I’m using the waveform mixer from Patching Panda Operat<\/a>, which is getting through-zero FM from the DannySound EN129<\/a> oscillator next to it. The Operat mix out goes over to the effects rack into the left input of the NLMM. The NLMM outs go to the MidSide+ inputs. Then the fun begins. The side signals go through Qu-Bit Data Bender<\/a> and the mids through Qu-Bit Aurora<\/a>.<\/p>\n\n\n\n

The Twist<\/h3>\n\n\n\n

I take the outputs from MidSide+ to the inputs C&D on the Holocene SCANNI-MIX<\/a>. And then on channels A&B I patch the signal coming from the NLMM, prior<\/em> to mid-side processing. Then using a random CV I scan randomly between the “dry” unprocessed signal on A&B and the mid-side processed signal on C&D. The last channel, E, has nothing patched, but the scan usually stops short of E.<\/p>\n\n\n\n