{"id":187,"date":"2008-03-23T14:43:08","date_gmt":"2008-03-23T19:43:08","guid":{"rendered":"http:\/\/pugix.com\/synth\/cynthia-dual-sawtooth-animator\/"},"modified":"2023-08-07T13:03:57","modified_gmt":"2023-08-07T18:03:57","slug":"cynthia-dual-sawtooth-animator","status":"publish","type":"post","link":"https:\/\/pugix.com\/synth\/cynthia-dual-sawtooth-animator\/","title":{"rendered":"Cynthia Dual Sawtooth Animator"},"content":{"rendered":"\n

\"Cynthia<\/a>Quantity: 0<\/p>\n\n\n\n

From the Cyndustries website<\/a>:<\/p>\n\n\n\n

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This amazing Bernie Hutchins circuit has been admired by Designers for years as a true electronic engineering marvel. It’s optimized for a sawtooth input, but any single waveform with a slope going into this thing… comes out as a super fat three-hundred pound gorilla of waveforms!<\/p>\n\n\n\n

More than simply a chorus circuit, the Animator effects range from creamy lush sounds to totally wacked-out warbling, and as a bonus, there’s a cloud of front panel outputs from the eight internal LFOs that automatically track the frequency of the incoming waveform.<\/p>\n\n\n\n

The audio output waveforms vary from staircase waves to multiple mountain peaks and add sophistication and raw power to your music.<\/p>\n<\/blockquote>\n\n\n\n

Richard Brewster’s modifications:<\/p>\n\n\n\n