{"id":1765,"date":"2016-02-14T14:16:45","date_gmt":"2016-02-14T19:16:45","guid":{"rendered":"http:\/\/pugix.com\/synth\/?p=1765"},"modified":"2018-03-17T09:29:36","modified_gmt":"2018-03-17T14:29:36","slug":"ieaskul-f-mobenthey","status":"publish","type":"post","link":"https:\/\/pugix.com\/synth\/ieaskul-f-mobenthey\/","title":{"rendered":"Ieaskul F. Mobenthey"},"content":{"rendered":"<p><a href=\"https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?ssl=1\" rel=\"attachment wp-att-1766\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"1766\" data-permalink=\"https:\/\/pugix.com\/synth\/ieaskul-f-mobenthey\/ifm-euro\/\" data-orig-file=\"https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?fit=1000%2C473&amp;ssl=1\" data-orig-size=\"1000,473\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IFM-euro\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?fit=1000%2C473&amp;ssl=1\" class=\"aligncenter size-medium wp-image-1766\" src=\"https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro-500x237.jpg?resize=500%2C237&#038;ssl=1\" alt=\"IFM-euro\" width=\"500\" height=\"237\" srcset=\"https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?resize=500%2C237&amp;ssl=1 500w, https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?resize=768%2C363&amp;ssl=1 768w, https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?resize=220%2C104&amp;ssl=1 220w, https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?resize=250%2C118&amp;ssl=1 250w, https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?resize=355%2C168&amp;ssl=1 355w, https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?resize=730%2C345&amp;ssl=1 730w, https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?resize=90%2C43&amp;ssl=1 90w, https:\/\/i0.wp.com\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/IFM-euro.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><\/p>\n<p>Pictured are six modules, in four flavors, from Peter Blasser.\u00a0 He designated his line of Eurorack modules as Ieaskul F. Mobenthey (IFM).\u00a0 I have four of the five IFM modules.<\/p>\n<h5>Why the Blue Knobs?<\/h5>\n<p>IFM modules have knobs with all yellow pointers.\u00a0 It can be confusing as to which are the basis knobs and which are the attenuverters.\u00a0 Well, I happened to have lying about some knobs from Blacet modules that I had converted to 5U MOTM format.\u00a0 They fit the pots perfectly and are only slightly smaller in diameter than the ones that were replaced.\u00a0 Now all the pots with a bow-tie symbol are blue.<\/p>\n<h4>Denum<\/h4>\n<blockquote>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>The Denum module is essentially a bounds\/bounce oscillator. It has the \u201ctriangle core\u201d circuitry used in many oscillators, but it adds a correlated bounds modulation.\u00a0 Here, bounds and bounce are each given equal treatment, with separate linear and exponential controls and inputs. In addition, this module has a fully featured bi-polar VCA with complimentary inputs, to get you quickly going sending \u201cbb-objets\u201d out the left and right channels.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<h5>Bounds Modulation<\/h5>\n<p>In the simplest terms, &#8216;bounds&#8217; are the upper and lower voltage boundaries that the output reaches, before reversing direction.\u00a0 In most modular oscillators the bounds are fixed, typically at +5 and -5 volts.\u00a0 Modulating the frequency does not change the bounds; the amplitude remains constant.\u00a0 Bounds modulation means controlling the upper and lower bounds, and hence the amplitude of the output.\u00a0 But, changing the bounds also changes the frequency, since smaller bound take less time to reach.\u00a0 Thus bounds modulation is simultaneous frequency and amplitude modulation.<\/p>\n<p>Denum is a wide-range VCO, with three switch-selected ranges going from very slow LFO to virtually ultrasonic.\u00a0 Without any bounds modulation, the output swings 5 volts peak-to-peak around zero.\u00a0 The pulse output is a huge +\/-10 volts.\u00a0 Patching the triangle output back into its own Bounce CV input results in different, but still symmetrical waveforms.<\/p>\n<h5>The VCA in Denum<\/h5>\n<p>The VCA is unusual in a number of ways.\u00a0 There are two outputs, left and right, each having its own input, with both inputs normally connected to the triangle output of the oscillator.\u00a0 There are two CV inputs, but they behave in an interesting way.<\/p>\n<blockquote>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>If the left (CV) input is greater than right, sound goes out the \u201cleft out\u201d. If right is greater than left, sound goes out the \u201cright out\u201d. The voltage amount of difference maps to loudness in these channels.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>You can patch into the VCA left and right inputs, disconnecting them from the Denum oscillator. My notes made while checking out the VCA:<\/p>\n<ul>\n<li>It&#8217;s a low-pass filter that rounds out the edges of the triangle wave, resulting in a pseudo sine wave.<\/li>\n<li>It appears to be AC-coupled, so it doesn&#8217;t pass very low frequencies.<\/li>\n<li>Unity gain in linear mode is at about 5 volts of CV, but in exponential mode, 5 volts results in only about 0.25.<\/li>\n<\/ul>\n<h4>Fourses<\/h4>\n<blockquote>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>The Fourses module consists of four bounds\/bounce oscillators, stacked on top of each other so that their bounds are mutual. Imagine four bouncy balls in a greased perspex tube only wide enough to permit them to travel along it. They bounce off of each other in the tube, and generate intricate but inter-related chaotic outputs. Each bouncy ball has the requisite basis and attenuverter knobs, and bounds inserts, control input, and triangular output.<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>The bounds of any operator are dictated by the ones immediately above and below, except for the very top and bottom operators; the top upper bound is set to eight volts, and the bottom lower bound to negative eight volts.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Fourses can be thought of as a single complex oscillator cluster.\u00a0 Changes made to one affect them all.\u00a0 This is an interesting beast with a learning curve.\u00a0 My notes from checking it out:<\/p>\n<ul>\n<li>Both the Basis and Bounce CV attenuverter inputs operate in a bipolar way:\u00a0 When centered the frequency is highest, because turning right or left increases the rise or fall time of the wave, thus decreasing the frequency.<\/li>\n<li>The top and bottom Bounds inputs are nomalled to +5V and -5V.\u00a0 The other six are nomalled to the outputs of the oscillators just above and below them.<\/li>\n<li>You can isolate an oscillator by patching into both bounds inputs.\u00a0 For example, patch +5V into the second bounds input from the bottom.\u00a0 The bottom oscillator is not modulated by the one above it and the lower bound is already normalled to -5.\u00a0 This method can be used to completely decouple the four oscillators from each other.<\/li>\n<\/ul>\n<h4>\u00a0Swoop<\/h4>\n<p>Peter says,<\/p>\n<blockquote>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>The Swoop module is essentially a bound\/bounce control voltage processor, in the lineage of such multi-purpose tools as the \u201cSerge Dual Universal Slope Generator\u201d.\u00a0 It differs, however from the DUSG, in that it truly is a free-running oscillator, that will bounce between any given boundaries; bounds take a more correlative role in deciding the frequency. In fact, it is already running when given zero input, bouncing infinitesimally at a very high resultant frequency.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>It is well to note that Swoop is always bouncing!\u00a0 The output is barely heard with no inputs, but the pulse output is detecting the zero-crossings and putting out a pulse wave.\u00a0 To make it cycle, it needs a defined upper or lower bound, or both.\u00a0 Patch either of the trigger outputs to one of the bounds input, and it oscillates.\u00a0 More of my check-out notes:<\/p>\n<ul>\n<li>With +5 volts patched to a bounds input, the output is from 0V to +5V.<\/li>\n<li>Pulse output travels +\/- 10 volts.<\/li>\n<li>Trigger outputs travel 0 to +5 volts.<\/li>\n<li>If you also patch a -5 volts to the other bounds input, now the output travels between -5V and +5V.<\/li>\n<li>The trigger outputs do not change when cycling.<\/li>\n<li>Due to it always oscillating, when triggered there is a bit of oscillation riding along with the DC of the generated envelope.\u00a0 This is a little weird!<\/li>\n<li>The attenuverters have a fine tuning effect, if no CV patched into them.<\/li>\n<li>Patch the main output into one or both of the Bounce CV inputs to obtain more ramp wave shapes.<\/li>\n<\/ul>\n<h4>Sprott<\/h4>\n<p>Peter says,<\/p>\n<blockquote>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>The Sprott module is a model of chaotic jerk system with standardized voltage control of all parameters. Thus, the chaotic attractor can be shrank down to distill the module into a resonant filter that is the dynamical sub- circuit underlying most jerk systems. It is named after J.C. Sprott who has published numerous papers, articles and books on chaos and chaotic circuits, from a rigorous physical view-point. This module is of course for musical purposes; although the voltage control feature has limited import in physics experiments, it is crucial to aesthetic purposes.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Sprott is a sort of filter.\u00a0 It&#8217;s definitely non-intuitive!\u00a0 My notes:<\/p>\n<ul>\n<li>The Q pot (second down) is minimized at the fully clockwise position.<\/li>\n<li>The Q is very sensitive and will cause the module to self-oscillate into clipping easily.<\/li>\n<li>If the VCA level (top pot) is not turned up high enough, it seems to contribute to self-oscillation.<\/li>\n<li>Chaos modulation is cool!\u00a0 Chaos CV impacts all outputs, not just the Chaos pass output.<\/li>\n<\/ul>\n<p>As Ieaskul says, &#8220;It&#8217;s experimental!&#8221;<\/p>\n<p>Here is demo of the Sprott filtering a Denum VCO, with two different outputs going to two stereo channels.\u00a0 I twiddled the Denum frequency.<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-1765-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/sprott-chaos-mod.mp3?_=1\" \/><a href=\"https:\/\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/sprott-chaos-mod.mp3\">https:\/\/pugix.com\/synth\/wp-content\/uploads\/2016\/02\/sprott-chaos-mod.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Pictured are six modules, in four flavors, from Peter Blasser.\u00a0 He designated his line of Eurorack modules as Ieaskul F. Mobenthey (IFM).\u00a0 I have four of the five IFM modules. &#8230; <a class=\"styledbutton\" href=\"https:\/\/pugix.com\/synth\/ieaskul-f-mobenthey\/\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":1766,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[161],"tags":[46,25,164,21,29,22],"class_list":["post-1765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eurorack","tag-filter","tag-lfo","tag-mangler","tag-vca","tag-vcf","tag-vco"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ieaskul F. Mobenthey - Richard Brewster&#039;s Electronic Sounds<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pugix.com\/synth\/ieaskul-f-mobenthey\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ieaskul F. Mobenthey - Richard Brewster&#039;s Electronic Sounds\" \/>\n<meta property=\"og:description\" content=\"Pictured are six modules, in four flavors, from Peter Blasser.\u00a0 He designated his line of Eurorack modules as Ieaskul F. Mobenthey (IFM).\u00a0 I have four of the five IFM modules. ... 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