Another random selection of modules from the hat, five this time: MOTM-650 MIDI converter, MOTM-490 VCF, CGS Bi-N-Tic Filter, CGS Serge VCS, Oakley ADSR-VCA. Getting the 650 was good, as it forced me to use a much-neglected module. Using masking tape to hold down five keys, I then selected the random mode of one of the MOTM-650 arpeggiators. This ‘performance’ has me twiddling the Frequency, Damping and Bandwidth knobs on the Bi-N-Tic, and selecting between tuning tables in the 650. The title refers to the inclusion of the Partch scale. The keyboard CV is patched to the 1V/Oct inputs of the Bi-N-Tic and the VCS. The VCS output patches to the Bi-N-Tic input and the Bi-N-Tic to the 490 VCF. The keyboard gates the ADSR to envelope the 490. The left channel has more Bi-N-Tic output, while the right is more 490.
Modular Analog Synthesis
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