Here’s a little composition that uses live input from my MOTM processed through Audio Mulch and Lexicon MPX-1 Delays.  I mixed this in real time.  It starts with raw, unprocessed MOTM, which consists of a random quantized tone generator of two MOTM-300 VCOs through one half of a MOTM-480 filter.  Then I bring up the simple echo delay from the MPX-1.  After that gets going I use a cross fader inside Audio Mulch to mix in a software delay.  About half way through I change the FREQ pot on the MOTM-480 a little.  At the end first the software and then the hardware delays are faded out, in reverse of the beginning.  It’s simple but interesting.  I am excited about Audio Mulch allowing me to produce better compositions.  If I take more time than I did for this recording, it’ll be better.  But this is cool.