I’ve had the Tetrazzi Organ for about a week.  I have a pretty good understanding how it works now, and I’ve been practicing to come up with playing techniques.  It’s oddly named as an organ, since it has no sustain (the salient characteristic of an organ).  To get sustain I used the Cocoquantus as a sampler.  This recording uses the dolby features of the Cocoquantus, set up to duck the loop mix whenever I play the Tetrazzi.  The loops are a sample of the Tetrazzi, pitch-shifted to a very deep bass region, and these provide the slow drone cadence.  Over the top of that I improvised on the Tetrazzi.  The CGS dual tube VCA adds overtones and sub-octaves, and a pair of Blacet Time Machines follow those.

This is kind of scary sounding.  Don’t listen if you’re easily frightened by scary sounds.

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