At the end of David Byrne’s book, How Music Works, he says, “Why not let music play itself? The composer, in the traditional sense, might no longer be necessary.” A short time ago I attended a piano trio concert by the Kandinsky Trio. They played all sorts of compositions from classical to very recent post-modern pieces. Yet, I was struck by the fact that all of these pieces had in common that they were composed in a musical notation, performed by an ensemble, and listened to by a passive audience. I thought, Cage said there is composition, performance, and listening. But then I thought that only listening is essential to music. And herewith, Prediction, a piece that is neither composed, nor performed. It was, rather, discovered, as I played with the patch I described in the previous post. It is rather long for a postcard recording at some eight and a half minutes. It is worth listening through. You experience the power of the Cocoquantus to invent musical changes. All I did was to listen, and to turn on the recorder.
Modular Analog Synthesis
Tagsadsr August 2015 House Concert bandpass buchla bugbrand case cgs cgs-serge chaos ciat-lonbarde cocoquantus DIY drone envelope generator eurorack filter frequency shifter generative highpass Lag LFO lowpass low pass gates mangler Miniwave mixer noise plumbutter power supply pulse divider quantisise quantizer ring modulator rollz-5 sample and hold sequencer serge Stooge tetrazzi tocante Uhbik VCA VCDO VCF VCO