Two groups of three VCOs each are driven by control voltages originating in the CGS Infinite Melody, quantized by two Blacet Miniwaves and analog shifted by two CGS ASRs. Each VCO mix is passed through an Oakley ADSR-VCA channel and through a MOTM-490 filter. The filters are not VC modulated, but serve to soften the sound and add resonance. No other audio processing is applied. Random controls create a changing tempo and gates. No manual changes were made during recording.

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